After meetings with set designer Valentina Bressan and artist Jose Yaque, we began to produce a series of digital content that would help the viewer understand the semantics of the scene related to the concept of the migration of peoples in the various. We worked on the idea of flow, understood as a stream of consciousness, a migratory flow that starts from the past and proceeds into the future. Our history and our future characterize our present. Everything is in flux; man himself is in flux. The events of history have repeatedly tried to stop the movement of the flow, hindering the growth of a people, risking leading them to their extinction, as the story of the diatribe between Jews and Egyptians tells.

To narrate this drama, we have placed on the scene the projection of a flow characterized by two phases: from a movement of continuous flow that at times runs aground in the columns present because the peoples leave signs of their passage, we have moved on to a flow that stops and stagnates at the moment of confrontation, thus blocking any possibility of a future.